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What critics have to say about Diana Cherkas Loose Knit ______________________________________________ "Diana Cherkas enhances Liz's tart nature through her own Bebe-Neuwirth-mixed-with-Bea-Arthur sensibility." "The lovely and deftly comedic Diana Cherkas portrays Liz with a verve and sparkle that belies the false notion that being strong and dominant need compromise a woman's feminine appeal." "The performances are uniformly excellent, with...Cherkas having scene-stealing turns." Modern Love is Automatic ______________________________________________ "Diana Cherkas...stands out as Emily, Lorraine’s co-worker with a seemingly picture perfect partner. You could imagine "Going to the Chapel" playing in her scenes as she gushes about her saccharine sweet fiance. Clark allows her to have a substantial scene later in the film that allows Emily to transcend the two-dimensional character her type would usually be in lesser films."
- Adam Sweeney, FilmSchoolRejects
"Diana Cherkas is so distinctive as a foul-mouthed actress, and then a modest maiden, that it's not hard to assume that different women are playing the parts."
- Peter Filichia, Star-Ledger Staff
"Not for a minute could we see Cherkas's nerd-chic Lucy as anything less than fully fleshed, from the way she melts into the giddy joy of feeling thirteen again, to the way she battles her impulses to try and find what she really wants.
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- Aaron Riccio, New Theater Corps
"Diana Cherkas as Diana...works her feminine wiles to great comedic effect."
“Diana Cherkas [is] wickedly malevolent...” - Rich See, Curtainup.com
"...Diana Cherkas has a look that may remind playgoers of Bebe Neuwirth, but she has much more warmth, and she displays it effectively." - Peter Filichia, Star-Ledger Staff
"as Rosaline, Diana Cherkas delivers a beguiling performance...She, too, has created a full woman – fierce and strong..." - James Howard, Broadwayworld.com "Diana Cherkas imbues Rosaline with the chilly grace of a supermodel." - Anthony Sclafani, Columbia Flier
"Diana Cherkas’s characters have a restrained, mysterious note."
- John Barry, City Paper
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